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Vous avez sélectionné:
Musica Nova USA
Partitions à imprimer
98 partitions trouvées
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Con-Tse-To
Con-Tse-To
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Saxophone Alto et Piano
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INTERMÉDIAIRE
#
Jazz
#
Gregory Fritze
#
Con-Tse-To
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Musica Nova USA
#
SheetMusicPlus
Composed by Gregory Fritze. 21st Century, Contemporary Classical, Post-Modern, Jazz, Bebop. Piano Reduction, Solo Part. 44 pages. Published by Musica ...
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Composed by Gregory Fritze. 21st Century, Contemporary Classical, Post-Modern, Jazz, Bebop. Piano Reduction, Solo Part. 44 pages. Published by Musica Nova USA
Con-Tse-To ? a Concerto for Alto Saxophone and Concert Band was composed in 2013 at the request of Kenneth Tse. It is in three movements ? 1. Pasodoble Melanie, 2. Lamento and 3. Danza Jubiloso. First performance was July 14, 2013 for the Hong Kong International Saxophone Symposium at the Hong Kong Academy for Performing Arts. Hong Kong Chamber Wind Philharmonic; Victor Tam, Conductor; Kenneth Tse, Saxophone Soloist.
The first movement ? Pasodoble Melanie, is in the traditional form of the march in Spain knownas the Pasodoble. It has a beginning theme in traditional march style using Spanish flavor harmoniesand melodies. As the Spanish pasodoble is in the same form as American marches, the second theme isthe ?Trio? section. In the Spanish pasodoble, it is customary to have the first presentation of this secondtheme played extremely softly in the clarinets. It is also common during the repeat of the Trio to have a soloist such as a piccolo displaying an obligato of great virtuosic melodies in counterpoint to the clarinets. I felt this would be a very appropriate place for an alto saxophone obligato. In this pasodoble the thirdpresentation of the Trio is shortened to allow for the first cadenza. Since I met Kenneth Tse for the first time in Buol (Valencia), Spain, I thought it would be very appropriate to use this traditional form for the firstmovement for his concerto. It is a Spanish custom for a composer to give a pasodoble composition as a gift such as to a musician or politician and the title of the piece often references the name of recipient?s wife. Kenneth Tse?s wife?s name is Melanie so this movement is dedicated to her.
The second movement ? Lamento was adapted from a melody of mine ?El ao del Trumpetista? originally composed in 2010. I thought the beautiful sound of Dr. Tse?s saxophone playing would be very complimentary for this melody.
The third movement ? Danza Jubiloso is in allegro tempo with the first theme based on leaps of afourth and an octave in duple meter. The second theme is mostly in 7/8 meter. There is also a bit of a jazz element of harmonies and the added instruments of a drum set and jazz double bass in pizzicato.
Con-Tse-To was awarded Finalist category in the Band Composition Competition of the American Prize in 2017. One of only two Concertos with Band awarded that year. The full band instrumentation is available on Musica Nova USA.
Gregory Fritze is a prize-winning composer and Fulbright Scholar, as well as an active performer. He recently retired from Berklee College of Music where he was Professor and Chair of Composition, serving on the faculty from 1979 to 2016. He has written over ninety compositions for orchestra, band, chamberensembles and soloists. He has won over fifty composition awards both nationally and internationally. His compositions include works published by several publishers in the United States, South America and Europe that have been performed extensively throughout the world.
He has been a frequent traveler to Spain since 1993 and has promoted compositions by Spanish composers around the world. He is the only composer who has been commissioned six times by Spanishbands for Certamen competitions, with each band winning first prize.
His compositions are recorded on Albany Records, MSR Classics, Crystal Records, Mark Records and others. He has been a guest lecturer, conductor and performer at many colleges, universities and music festivals in the United States, Canada, Japan, South America and Europe. He was born in Allentown, Pennsylvania in 1954 and has Composition degrees from the Boston Conservatory and Indiana University. He now resides in Daytona Beach Shores, Florida.
The piano transcription was done by Derek Reme?.
$20.00 ≈
18.67€
An American in Valencia - Trumpet Solo with Band (piano reduction)
An American in Valencia - Trumpet Solo with Band (piano reduction)
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Trompette, Piano
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INTERMÉDIAIRE
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Contemporain
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Gregory Fritze
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An American in Valencia - Trum
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Musica Nova USA
#
SheetMusicPlus
Composed by Gregory Fritze. 21st Century, Contemporary Classical, Neo-Classical, Repertoire, Recital. Piano Reduction, Solo Part. 39 pages. Published ...
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Composed by Gregory Fritze. 21st Century, Contemporary Classical, Neo-Classical, Repertoire, Recital. Piano Reduction, Solo Part. 39 pages. Published by Musica Nova USA
An American in Valencia was commissioned by the United States Army Band ?Pershing?s Own? in Washington, DC in 1999. The Premiere Performance was May 22, 1999 at the Casa de Cultura in L?Alcudia (Valencia), Spain by Rafael Sanz-Espirt conducting La Filharmonica Band. Woodrow English, Principal Trumpet the U. S. Army Band "Pershing's Own" as was the soloist.
The piece is in three movements in a Spanish style suggesting the grand gesture of Bull fighting.The trumpet soloist portrays a toreador with the splendor of the corrida. The first movement represents theentrance of the toreador with all of the fanfare and showmanship as he bows to the audience. The second movement is a love song in a waltz tempo. The third movement starts with the raging bull coming out ofit?s corral, ready for the fight. The trumpet soloist is able to contain the bull with dashing melodic figures and a cadenza leading to the final bow in victory.
An American in Valencia was awarded Finalist in the Band Composition Competition of the American Prize in 2017. One of only two Concertos with Band awarded that year. It is recorded on Mark Records with Rafael Sanz-Espirt conducting La Filharmonica Band. Woodrow English is the soloist.
Gregory Fritze is a prize-winning composer and Fulbright Scholar, as well as an active performer and conductor. He recently retired from Berklee College of Music where he was Professor and Chair of Composition, serving on the faculty from 1979 to 2016. He has written over ninety compositions for orchestra, band, chamber ensembles and soloists. He has won over fifty composition awards both nationally and internationally, including First Prize in the 1st WASBE (World Association of Symphonic Bands and Ensembles) International Composition Contest 2017, First Prize Winner of Rene Fisher Composition Prize, First Prize Winner in Concurso Bienal de Composicin de Musica para Banda, Ciudad de Santa Cruz de Tenerife (Spain), Menzione d?Onore (highest award given) of the Mario Bernardo Angelo-Comneno International Music Competition by the Accademia Angelica Costantiniana Arti E Scienze (Italy), First Prize in 1991 TUBA International Etude Composition Competition, the IBLA Grand Prize (Italy), several awards from The American Prize, Composition Awards from Standard Awards Panel of American Society of Composers, Authors, and Publishers and many others. His compositions include works published by several publishers in the United States, South America and Europe and have been performed extensively throughout the world.
He has been a frequent traveler to Spain since 1993 and has promoted compositions by Spanish composers around the world. He is the only composer who has been commissioned six times by Spanish bands for Certamen competitions, with each band winning first prize.
He has thirty-three compositions commercially recorded on Albany Records, MSR Classics, Crystal Records, Mark Records and others. He has been a guest lecturer, conductor and performer at many colleges, universities and music festivals in the United States, Canada, Japan, South America and Europe. He was born in Allentown, Pennsylvania in 1954 and has Composition degrees from the Boston Conservatory and Indiana University. He now resides in Daytona Beach Shores, Florida.
$20.00 ≈
18.67€
The Year of the Trumpeter (piano reduction)
The Year of the Trumpeter (piano reduction)
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Trompette, Piano
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FACILE
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Contemporain
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Gregory Fritze
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The Year of the Trumpeter
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Musica Nova USA
#
SheetMusicPlus
Composed by Gregory Fritze. 21st Century, Contemporary Classical, Neo-Classical, Sacred, Funeral. Piano Reduction, Solo Part. 14 pages. Published by M...
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Composed by Gregory Fritze. 21st Century, Contemporary Classical, Neo-Classical, Sacred, Funeral. Piano Reduction, Solo Part. 14 pages. Published by Musica Nova USA
Year of the Trumpeter (El Ao del Trompetista) is a piece for solo trumpet and band. Duration is 5 minutes, Grade for band and soloist is Grade 3. This is the piano reduction. It was composed in 2010 as an homage to four friends of mine who played trumpet and passed away in 2009.
Fred Mills played trumpet with the Canadian Brass for 24 years. I met him when I performed with Harvey Phillips and his Tuba Consort when we joined the Canadian Brass in a Christmas concert at Carnegie Hall. I arranged a piccolo descant trumpet part for Fred that he played with the tuba group. We also worked together in Cordoba Argentina in 2006.
Linares Rodriguez was a member of the La Armonica Band of Buol. After he retired from playing, hebecame the manager for the society?s buildings. When I first lived in Buol in 1996 we became goodfriends and sometimes took walking excursions together.
Bill Maloof was my first boss as he was Chair of Composition during my first ten years as a facultymember at Berklee College of Music in Boston.
Nedo Pandolfi was considered a great musical force in Rhode Island. His last concert with the Rhode Island Philharmonic Orchestra in 1983 was my first performance with the orchestra. At that time heplayed French Horn but his original instrument was trumpet.
Year of the Trumpeter was premiered March 8, 2014 by Antonio Cambres Rodriguez and the CIM La Armonica, David Fiuza, Conductor in Buol (Valencia), Spain. The version for trumpet and piano was premiered in Magallon, Spain, July 2017 by Antonio Cambres with the composer playing piano. The band version was recorded by Cambres and the CIM La Armonica, David Fiuza, Conductor. It is on the CD Music for Wind Orchestraon La Armonica Records.
Gregory Fritze is a prize-winning composer and Fulbright Scholar, as well as an active performer and conductor. He recently retired from Berklee College of Music where he was Professor and Chair of Composition and tuba instructor, serving on the faculty from 1979 to 2016. He has written over ninety compositions for orchestra, band, chamber ensembles and soloists. He has won over sixty composition awards both nationally and internationally, including First Prize in the 1st WASBE (World Association of Symphonic Bands and Ensembles) International Composition Contest 2017, First Prize Winner of the Rene Fisher Composition Prize, First Prize Winner in the Concurso Bienal de Composicin de Musica para Banda, Ciudad de Santa Cruz de Tenerife (Spain), Menzione d?Onore (highest award given) of the Mario Bernardo Angelo-Comneno International Music Competition by the Accademia Angelica Costantiniana Arti E Scienze (Italy), First Prize in the 1991 TUBA International Etude Composition Competition and several others. His compositions include works published by several publishers in the United States, South America and Europe that have been performed extensively throughout the world.
Gregory Fritze is also a very active tubist. He was Principal Tubist with the Rhode Island Philharmonic for thirty-three years as well as performing with many other ensembles in New England and Florida.
He has been a frequent traveler to Spain since 1993 and has promoted compositions by Spanish composers around the world. He is the only composer who has been commissioned six times by Spanishbands for Certamen competitions, with each band winning first prize.
He has thirty-four compositions commercially recorded on Albany Records, MSR Classics, Crystal Records, Mark Records and others. He has been a guest lecturer, conductor and performer at many colleges, universities and music festivals in the United States, Canada, Japan, South America and Europe. He was born in Allentown, Pennsylvania in 1954 and has Composition degrees from the Boston Conservatory and Indiana University. He now resides in Daytona Beach Shores, Florida.
$15.00 ≈
14.00€
Concertino for Tuba (piano reduction)
Concertino for Tuba (piano reduction)
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Tuba et Piano
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INTERMÉDIAIRE
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Contemporain
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Gregory Fritze
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Concertino for Tuba
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Musica Nova USA
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SheetMusicPlus
Composed by Gregory Fritze. 21st Century, 20th Century, Contemporary Classical, Neo- Classical, Recital. Piano Reduction, Solo Part. 31 pages. Publishe...
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Composed by Gregory Fritze. 21st Century, 20th Century, Contemporary Classical, Neo- Classical, Recital. Piano Reduction, Solo Part. 31 pages. Published by Musica Nova USA
Concertino for Tuba was written in 2016 as a piano transcription to both the versions for band and orchestra, composed in 2003 and 2005, respectively. The duration is 13 minutes. The band version is grade 4 with the solo tuba grade 5. The solo tuba and band orchestration was adapted from Concertino for Euphonium and Band commissioned by the United States Army Band ?Pershing?s Own? in 1995. In 2002 Gary Bird asked me to compose a piece for him with band that was to be premiered by the Volga Band of Saratov, Russia conducted by Mary Ann Craig in 2004. Gary knew several of my compositions and asked me to compose a piece similar my Concertino for Euphonium and Band that was composed for Bob Powers and the United States Army Band. In 2004 Gary told my that he would be playing a solo with the Johnstown Symphony Orchestra and asked me to do a version for symphony orchestra. It was premiered by the Johnstown Symphony Orchestra; Istvan Jaray, Conductor in 2006. The orchestral version was recorded by Gary Bird and the Oak Grove Symphony Orchestra; Jack Stamp, Conducting. It is on the CD Tuba Safari on Albany Records. The band version was recorded by Gary Bird and the IUP Wind Ensemble; Jack Stamp, Conducting. Concertino for Tuba and Orchestra was a Semi Finalist Winner in the American Prize Composition Competition ? Orchestra Division in 2017, the only concerto awarded a prize in the Orchestra Division that year.
Gregory Fritze is a prize-winning composer and Fulbright Scholar, as well as an active performer and conductor. He recently retired from Berklee College of Music where he was Professor and Chair of Composition and tuba instructor, serving on the faculty from 1979 to 2016. He has written over ninety compositions for orchestra, band, chamber ensembles and soloists. He has won over sixty composition awards both nationally and internationally, including First Prize in the 1st WASBE (World Association of Symphonic Bands and Ensembles) International Composition Contest 2017, First Prize Winner of the Rene Fisher Composition Prize, First Prize Winner in the Concurso Bienal de Composicin de Musica para Banda, Ciudad de Santa Cruz de Tenerife (Spain), Menzione d?Onore (highest award given) of the Mario Bernardo Angelo-Comneno International Music Competition by the Accademia Angelica Costantiniana Arti E Scienze (Italy), First Prize in the 1991 TUBA International Etude Composition Competition and several others. His compositions include works published by several publishers in the United States, South America and Europe that have been performed extensively throughout the world.
Gregory Fritze is also a very active tubist. He was Principal Tubist with the Rhode Island Philharmonic for thirty-three years as well as performing with many other ensembles in New England and Florida.
He has been a frequent traveler to Spain since 1993 and has promoted compositions by Spanish composers around the world. He is the only composer who has been commissioned six times by Spanishbands for Certamen competitions, with each band winning first prize.
He has thirty-four compositions commercially recorded on Albany Records, MSR Classics, Crystal Records, Mark Records and others. He has been a guest lecturer, conductor and performer at many colleges, universities and music festivals in the United States, Canada, Japan, South America and Europe. He was born in Allentown, Pennsylvania in 1954 and has Composition degrees from the Boston Conservatory and Indiana University. He now resides in Daytona Beach Shores, Florida.
$20.00 ≈
18.67€
Set Free to go Home - grade 3 concert band
Set Free to go Home - grade 3 concert band
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Orchestre d'harmonie
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FACILE
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Gregory Fritze
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Set Free to go Home - grade 3
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Musica Nova USA
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SheetMusicPlus
Concert Band - Level 2 - SKU: A0.917409 Composed by Gregory Fritze. 20th Century,Contemporary,Instructional,Standards. Score and parts. 52 pages. Musica...
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Concert Band - Level 2 - SKU: A0.917409 Composed by Gregory Fritze. 20th Century,Contemporary,Instructional,Standards. Score and parts. 52 pages. Musica Nova USA #6075605. Published by Musica Nova USA (A0.917409). Set Free to go Home was composed in the fall of 2019. It was commissioned by Dr. Kristen Tjornehoj, Conductor of the University of Wisconsin at River Falls Symphony Band in remembrance of Kaye Bird, who passed away in 2016 as a resident of River Falls and a member of the community for several years. Kaye Bird was also a resident of Indiana, PA for 37 years and was a well respected teacher in the public schools there. Set Free to go Home was premiered by the Indiana University of Pennsylvania Symphony Band at Fisher Auditorium on February 6, 2020, conducted by Dr. Jason Worzbyt. It is agrade 3 band piece with a duration of five minutes. It is published by Musica Nova USA and availableon sheetmusicplus.com and jwpepper.com.Performance Notes: Set Free to go Home was composed with flexible instrumentation in mind.There are several instruments listed in the score that would enhance the piece (such as harp, oboes,double bass, ect.) but are not necessary to convey a successful performance. For example, if there are not five percussionists available, the piece may be played by less performers with the use of a drumkit, with one person playing two or more parts. This composition can sound very good whether thereare fifteen players or a band with one hundred players.Gregory Fritze is a prize-winning composer and Fulbright Scholar, as well as an active performer and conductor. His compositions have been performed more than one thousand times in over twenty-six countries. He has written over ninety compositions for orchestra, band, chamber ensembles and soloists. He has won over sixty composition awards both nationally and internationally, includingFirst Prize in the 1st WASBE (World Association of Symphonic Bands and Ensembles) International Composition Contest 2017, First Prize Winner of Reneé Fisher Composition Prize, First Prize Winnerin Concurso Bienal de Composición de Musica para Banda, Ciudad de Santa Cruz de Tenerife (Spain), Menzione d’Onore (highest award given) of the Mario Bernardo Angelo-Comneno International MusicCompetition by the Accademia Angelica Costantiniana Arti E Scienze (Italy), First Prize in the TUBA International Etude Composition Competition, the IBLA Grand Prize (Italy), 2nd Prize in the 2nd WASBE International Composition Contest 2019, several awards from The American Prize, annual composition awards from Standard Awards Panel of American Society of Composers, Authors, and Publishers andmany others. He has been commissioned by The Rhode Island Philharmonic Orchestra, The Army Band Pershing’s Own of Washington, DC, The Banda Municipal of Bilbao, The Primativa de Lliria,and others. His compositions include works published by several publishers in the United States, SouthAmerica and Europe and have been performed extensively throughout the world.He has thirty-three compositions commercially recorded on Albany Records, MSR Classics, Crystal Records, Mark Records and others. He has been a guest lecturer, conductor and performer atmany colleges, universities and music festivals in the United States, Canada, Japan, South America and Europe. He was born in Allentown, Pennsylvania in 1954 and has Composition degrees from the Boston Conservatory and Indiana University. He now resides in Daytona Beach Shores, Florida.
$40.00 ≈
37.33€
Sinfonietta - A Symphony in Three Movements for Grade 3 Concert Band
Sinfonietta - A Symphony in Three Movements for Grade 3 Concert Band
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Orchestre d'harmonie
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FACILE
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Gregory Fritze
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Sinfonietta - A Symphony in Th
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Musica Nova USA
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SheetMusicPlus
Concert Band - Level 2 - SKU: A0.917410 Composed by Gregory Fritze. 20th Century,Classical,Contemporary,Instructional,Standards. Score and parts. 267 pa...
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Concert Band - Level 2 - SKU: A0.917410 Composed by Gregory Fritze. 20th Century,Classical,Contemporary,Instructional,Standards. Score and parts. 267 pages. Musica Nova USA #6078853. Published by Musica Nova USA (A0.917410). Sinfonietta (alternate title Sinfonía de Vino y Aceite de Magallon) is a composition for concert band that can be played by any band whether it has 100 players or 30 players. It is at grade 3 level of difficulty and has several substitute parts for ensembles that may not have complete instrumentation. Although the scoring includes piccolo, oboes, bassoons, and French horns, these instruments are not needed to command a good performance.Sinfonietta adheres to classical forms of symphonies by composers such as Mozart, Haydn and Beethoven. The forms are very clear so the players of the band can learn this important history. The first movement is in standard Sonata Allegro form.The second movement is in A B A form and features a solo trumpet. The third movementis in a Rondo form (A B A C A) with three distinct themes. The work was commissioned in 2017 by the town of Magallón, Spain in celebration of the town’s industries of wine and olive oil. The mayor of the town of 1,000 inhabitants, Victor Manuel Chueca Rodriguez, was specific in his request for a composition at grade 3 level of difficulty. He also suggested the title as Symphony. Since it a three-movement composition instead of a four-movement composition (the normal Minuet and Trio movement is not included in this piece), the title of Sinfonietta instead of Symphony is used.Gregory Fritzeis a prize-winning composer and Fulbright Scholar, as well as an active performer and conductor. His compositions have been performed more than one thousand times in over twenty-six countries. He has written over ninety compositionsfor orchestra, band, chamber ensemblesand soloists. He has won over sixty composition awards both nationally and internationally, including First Prize in the 1st WASBE (World Association of Symphonic Bands and Ensembles) International Composition Contest2017, First Prize Winner of Reneé Fisher Composition Prize, First Prize Winner in Concurso Bienal de Composición de Musica para Banda, Ciudad de Santa Cruz de Tenerife (Spain), Menzione d'Onore (highest award given) of the Mario Bernardo Angelo-Comneno International Music Competition by the Accademia Angelica Costantiniana Arti E Scienze (Italy), First Prize in the TUBA International Etude Composition Competition, the IBLA Grand Prize (Italy), 2nd Prize in the 2nd WASBE International Composition Contest 2019, several awards from The American Prize, annual composition awards from Standard Awards Panel of American Society of Composers, Authors, and Publishers and many others. He has been commissioned by The Rhode Island Philharmonic Orchestra, The Army Band Pershing’s Own of Washington, DC, The Banda Municipal of Bilbao, The Primativa de Lliria, and others. His compositions include works published by several publishers in the United States, South America and Europe and have been performed extensively throughout the world. He has thirty-three compositions commercially recorded on Albany Records, MSR Classics, Crystal Records, Mark Records and others. He has been a guest lecturer, conductor and performer at many colleges, universities and music festivals in the United States, Canada, Japan, South America and Europe. He was born in Allentown, Pennsylvania in 1954 and has Composition degrees from the Boston Conservatory and Indiana University. He now resides in Daytona Beach Shores, Florida.
$75.00 ≈
70.00€
Aliento Fanfare - for Orchestral Brass and Percussion
Aliento Fanfare - for Orchestral Brass and Percussion
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Contemporain
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Gregory Fritze
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Aliento Fanfare - for Orchestr
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Musica Nova USA
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SheetMusicPlus
Small Ensemble - Level 3 - SKU: A0.917411 Composed by Gregory Fritze. Contemporary. Score and parts. 68 pages. Musica Nova USA #6434383. Published by Mu...
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Small Ensemble - Level 3 - SKU: A0.917411 Composed by Gregory Fritze. Contemporary. Score and parts. 68 pages. Musica Nova USA #6434383. Published by Musica Nova USA (A0.917411). Aliento Fanfare was composed in 2020 in tribute to the hospital workers during the COVID-19 pandemic. The word Aliento means breath in Spanish. In many cities and towns around the world at the beginning of the pandemic in March 2020, hospital workers were cheered every night at 7:00 PM by the people who were locked down in quarantine. At this time especially, hospital workers were called on to help everybody through the pandemic. Aliento Fanfare was premiered by the C.I.M. La Armonica of Buñol, Spain on November 21, 2020 conducted by Jose Tello Espert. It was later arranged for orchestra brass and percussion and a virtual performance was placed on YouTube by players of the Pittsburgh Symphony Orchestra. Both versions are included in this publication and they may be used interchangeably if desired, to expand the orchestral brass by adding a 4th trumpet and adding a vibraphone.Gregory Fritze is a prize-winning composer and performer. His compositions have been performed more than one thousand times in twenty-six countries. He has written over one-hundred compositions for orchestra, band, chamber ensembles and soloists. He has won over sixty composition awards both nationally and internationally, including First Prize in the TUBA International Etude Composition Competition in 1991 for Twenty Characteristic Etudes to Tuba.
$30.00 ≈
28.00€
Three American Folksongs for Brass Quintet
Three American Folksongs for Brass Quintet
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Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
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INTERMÉDIAIRE
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Gregory Fritze
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Musica Nova USA
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Three American Folksongs for B
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Musica Nova USA
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SheetMusicPlus
Brass Ensemble - Level 3 - SKU: A0.917414 Composed by Gregory Fritze. Arranged by Musica Nova USA. 20th Century,Concert,Folk,Holiday,Patriotic. Score an...
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Brass Ensemble - Level 3 - SKU: A0.917414 Composed by Gregory Fritze. Arranged by Musica Nova USA. 20th Century,Concert,Folk,Holiday,Patriotic. Score and parts. 59 pages. Musica Nova USA #6564497. Published by Musica Nova USA (A0.917414). Three American Folksongs for Brass Quintet was arranged in 2021 expressly for the Spanish Brass. 1. Oh Shenandoah is a traditional American folk song from the 19th Century of traders traveling down the Missouri River in canoes. II. Simple Gifts is a Shaker song written and composed in 1848, generally attributed to Elder Joseph Brackett (1797 - 1882) of Alfred Shaker Village in the state of Maine. This arrangement is for a tuba feature that the composer Gregory Fritze did in 1988 when he first started performing children’s concerts with the Rhode Island Philharmonic Brass Quintet, when he had to demonstrate the tuba. He adjusted this for the Spanish Brass in 2021. III. Yankee Doodle is a traditional folksong that dates to pre-revolutionary times, probably 1770’s.Three American Folksongs for Brass Quintet was recorded Spanish Brass and is on the CD Music for Brass Quintet by Gregory Fritze on the Spanish Brass label.Duration of the three folksongs is 11 minutes.
$15.00 ≈
14.00€
La Tomatina for Symphonic Band
La Tomatina for Symphonic Band
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Orchestre d'harmonie
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INTERMÉDIAIRE
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GregoryFritze
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La Tomatina for Symphonic Band
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Musica Nova USA
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SheetMusicPlus
Concert Band - Level 3 - SKU: A0.917395 Composed by GregoryFritze. 20th Century,Contemporary,Jazz. Score and parts. 195 pages. Musica Nova USA #4805407....
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Concert Band - Level 3 - SKU: A0.917395 Composed by GregoryFritze. 20th Century,Contemporary,Jazz. Score and parts. 195 pages. Musica Nova USA #4805407. Published by Musica Nova USA (A0.917395). La Tomatina was composed in 1996 in Buñol, Spain while I was researching Spanish band music. Buñol is a small town of about 9,000 inhabitants about 19 miles (30 kilometers) from Spain’s 3rd largest city, Valencia. For 364 days of the year, it is a typical small town, but on the last Wednesday of August it becomes an international attraction. On that day the La Tomatina festival is held. Several trucks drop as many as 145,000 kilograms of tomatoes unto the main street and for an hour at 12:00 noon there are up to 100,000 people taking part in throwing tomatoes at each other. At 1:00 everybody goes to the specialpublic showers to wash up. A fire truck comes down the street washing down the buildings and the main street and by about 2:00 all is returned to normal and all references to the tomato fight are gone. Thetradition has been going on since 1945. I was in the streets taking part in throwing tomatoes for three years. After that when I was in Spain during the festival I watched it on TV.Buñol also has a rich tradition of having two very good concert bands – the Litros and the Feos. Most of the 9,000 inhabitants formally belong to one of the two social clubs. There are several band competitionsheld in Spain and both of these bands take part. The band competition is fierce as bragging rights are won by the winning society. It is thought that this fierce competition is what helps develop excellentmusicians in that many young people become professional musicians and play in many orchestras and bands throughout the country.La Tomatina was premiered by the U. S. Army Band Pershing’s Own on the U. S. Capital steps in June 1996, the composer conducting. La Tomatina is the second movement of Sinfonía de Valencia, a three- movement composition that was premiered in Buñol by the band of Centro Instructivo Musical El Litro Buñol, conducted by Francisco Tamarit in August 1997. Sinfonía de Valencia is recorded by the band of Centro Instructivo Musical El Litro Buñol, conducted by Fernando Bonete Piqueras on Mark Records (CD3816). La Tomatina is also on Youtube with video of the festival at: https://www.youtube.com/watch?v=bbpZU7vK3PQ.La Tomatina was a winning composition in 1996, awarded a grant by the Massachusetts Cultural Council. It also won the IBLA Grand Prize in Sicily, Italy in 1998 and was a Semi Finalist as part of the American Prize Composition Competition – Band Division in 1996.This arrangement of La Tomatina was prepared especially for conductor Natalia Montañés in 2004. In thisarrangement there are four percussionists instead of the original five.La Tomatina has been very popular among bands around the world, performed over one hundred times.
$60.00 ≈
56.00€
Pico del Teide
Pico del Teide
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Orchestre d'harmonie
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INTERMÉDIAIRE/AVANCÉ
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Gregory Fritze
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Pico del Teide
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Musica Nova USA
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SheetMusicPlus
Concert Band - Level 4 - SKU: A0.917403 Composed by Gregory Fritze. 20th Century,Contemporary,Instructional,Standards. Score and parts. 286 pages. Music...
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Concert Band - Level 4 - SKU: A0.917403 Composed by Gregory Fritze. 20th Century,Contemporary,Instructional,Standards. Score and parts. 286 pages. Musica Nova USA #4967651. Published by Musica Nova USA (A0.917403). Pico del Teide is a 17 minute symphonic poem for concert band, grade 5. It was composed to feature the orchestral differences and colors in the symphonic band. There are several featured soloists throughout the piece, especially a long extended solo for alto saxophone. The piece also uses many textural variations showing several sections of chamber music. Pico del Teide is often selected as a contest piece when bands compete, especially in Spain. Pico del Teide was composed in 2005 and was premiered March 10, 2006 by Felipe Neri and the Banda Municipal of Tenerife. It won First Prize in the II Concurso Bienal de Composición de Música para Banda Ciudad de Santa Cruz de Tenerife, Spain. The piece is programmatic as it depicts a person climbing through the different sections of the Teide mountain - Los Roques, Las Cañadas, Pico del Teide, Teide and Pico Viejo to the top of Pico del Teide, which is the highest point in the Canary Islands.Gregory Fritze is a prize-winning composer and Fulbright Scholar, as well as an active performer and conductor. He recently retired from Berklee College of Music where he was Professor and Chair of Composition, serving on the faculty from 1979 to 2016. He has written over ninety compositions for orchestra, band, chamber ensembles and soloists. He has won over sixty composition awards both nationally and internationally, including First Prize in the 1st WASBE (World Association of Symphonic Bands and Ensembles) International Composition Contest 2017, First Prize Winner of Reneé Fisher Composition Prize, First Prize Winner in Concurso Bienal de Composición de Musica para Banda, Ciudad de Santa Cruz de Tenerife (Spain), Menzione d’Onore (highest award given) of the Mario Bernardo Angelo-Comneno International Music Competition by the Accademia Angelica Costantiniana Arti E Scienze (Italy), First Prize in 1991 TUBA International Etude Composition Competition and several others. His compositions include works published by several publishers in the United States, South America and Europe that have been performed extensively throughout the world. He has been a frequent traveler to Spain since 1993 and has promoted compositions by Spanish composers around the world. He is the only composer who has been commissioned six times by Spanish bands for Certamen competitions, with each band winning first prize. He has thirty-three compositions commercially recorded on Albany Records, MSR Classics, Crystal Records, Mark Records and others. He has been a guest lecturer, conductor and performer at many colleges, universities and music festivals in the United States, Canada, Japan, South America and Europe. He was born in Allentown, Pennsylvania in 1954 and has Composition degrees from the Boston Conservatory and Indiana University. He now resides in Daytona Beach Shores, Florida.
$90.00 ≈
84.00€
Three Pieces for Tuba Ensemble - Salutation Fanfare, Simple Gifts, Octubafest Polka
Three Pieces for Tuba Ensemble - Salutation Fanfare, Simple Gifts, Octubafest Polka
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Gregory Fritze
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Three Pieces for Tuba Ensemble
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Musica Nova USA
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SheetMusicPlus
Small Ensemble Euphonium,Horn,Tuba - Level 2 - SKU: A0.917404 Composed by Gregory Fritze. 20th Century,Concert,Standards. Score and parts. 61 pages. Mus...
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Small Ensemble Euphonium,Horn,Tuba - Level 2 - SKU: A0.917404 Composed by Gregory Fritze. 20th Century,Concert,Standards. Score and parts. 61 pages. Musica Nova USA #4984119. Published by Musica Nova USA (A0.917404). Three Pieces for Tuba Ensemble is a collection of three pieces that were composed at different times for different occasions. This set makes up a good suite for concert performance. Although listed as a tuba ensemble compositions, euphoniums usually play the higher two parts. All three are written in five parts. Optional substitute parts for French Horn and Flüglehorn are also included in this set, as well as euphonium parts in treble clef.Salutation Fanfarewas composed in 1985 for performance at the New York Brass Conference at the Roosevelt Hotel in New York City. That year, famous tubist Harvey Phillips was being honored at a special concert. This piece started the concert with the composer conducting an ensemble of about twenty euphonium and tuba players made up of Indiana University alumni, free-lance musicians and other friends of Mr. Phillips. The piece is based on the phrase Harvey Phillips Mr. Tuba. Simple Giftsis a traditional American folksong that has been arranged by many composers over the years. This arrangement was done in 1990 for performance at the International Tubists Universal Brotherhood Association Conference held in Sapporo, Japan. It was premiered by the Colonial Tuba Quartet that year. It has been arranged in four parts as well as this arrangement in five parts.Octubafest Polkawas composed in 1976 at the request of Harvey Phillips for performance at the Octubafest activities at Indiana University. It was premiered by the Indiana University Tuba Ensemble that year, conducted by Harvey Phillips. Mr. Phillips was the first to use the word Octubafest, probably in 1974 or 1975. Octubafest celebrations have taken place at many schools and universities ever since, usually in the month of October. He said that having an Octubafest celebration early in the school year provided an opportunity for new students entering college to get to know each other. At Indiana University during Harvey Phillips’ tenure (1973 – 1996) the Octubafest concerts were always followed by a party at Harvey’s house, making for a good time for all. Gregory Fritze is a prize-winning composer and Fulbright Scholar, as well as an active performer and conductor. He recently retired from Berklee College of Music where he was Professor and Chair of Composition, serving on the faculty from 1979 to 2016. He has written over ninety compositions for orchestra, band, chamber ensembles and soloists. He has won over sixty composition awards both nationally and internationally, including First Prize in the 1991 TUBA International Etude Composition Competition, for his Twenty Characteristic Etudes for Tubaan important part of the tuba pedagogy repertoire. His compositions include works published by several publishers in the United States, South America and Europe and have been performed extensively throughout the world. He has been a frequent traveler to Spain since 1993 and has promoted compositions by Spanish composers around the world. He is the only composer who has been commissioned six times by Spanish bands for Certamen competitions, with each band winning first prize. He has thirty-three compositions commercially recorded on Albany Records, MSR Classics, Crystal Records, Mark Records and others. He has been a guest lecturer, conductor and performer at many colleges, universities and music festivals in the United States, Canada, Japan, South America and Europe. He was born in Allentown, Pennsylvania in 1954 and has Composition degrees from the Boston Conservatory and Indiana University. He now resides in Daytona Beach Shores, Florida.
$30.00 ≈
28.00€
Nineteen Skeletal Duets for Euphoniums (in treble clef)
Nineteen Skeletal Duets for Euphoniums (in treble clef)
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Contemporain
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Gregory Fritze
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Nineteen Skeletal Duets for Eu
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Musica Nova USA
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SheetMusicPlus
Instrumental Duet Euphonium,Instrumental Duet - Level 2 - SKU: A0.917407 Composed by Gregory Fritze. Classical,Contemporary,Instructional,Jazz. Score an...
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Instrumental Duet Euphonium,Instrumental Duet - Level 2 - SKU: A0.917407 Composed by Gregory Fritze. Classical,Contemporary,Instructional,Jazz. Score and parts. 44 pages. Musica Nova USA #5997955. Published by Musica Nova USA (A0.917407). Nineteen Skeletal Duets for Euphoniums is a set of duets of easy to moderate difficulty specifically for teachers and students in private lessons. The first 15 duets are arranged from Fifteen Safari Duets for Tubas which was composed in 1989 for playing with my tuba students at Berklee College of Music. They are at different levels of difficulty and in various styles so that we always had duets to play no matter what was the ability of the student. The additional four duets were added in 2020 for this set. The title of each duet is also a name for a bone in the human body, hence the name Skeletal Duets. There is something in each duet for students to learn: the basics of tone production, rhythms, melodic phrasing, jazz, graphic notation, etc. Most are sight readable and some have been performed in concerts. Nineteen Skeletal Duets for Trombones are the same duets but in bass clef. Twenty-two Skeletal Duets for Horns uses the first 19 as in the euphonium set with three additional duets added. Some of the euphonium and horn duets are in the same key so they can be played together.1. CraniumThis duet presents the cantabile singing style as studied for playing the trombone. I find that this duet helps the student much like the melodies of Borgodni (Rochet) etudes.2. StirrupThis duet provides an opportunity to read basic rhythms and articulations. I find that the more advanced students can read in a faster tempo where the less skilled students work best in the slower tempos – a common choice for all of the duets.3. HumerusThis waltz helps the student match phrasing in a cantabile setting. There are a few instances where the teacher (playing the first part) plays a phrase then the student plays a similar phrase.4. VertebraThis is in a rock style with syncopated rhythms with cantabile melodies. Articulations are especially important in this duet.5. AxisLegato scales and syncopated rhythms are the features of this duet.6. TibiaThis duet alternates in rock style and swing. Articulations and manipulation of swing rhythms are important.7. ClavicleThe key of A for this duet provides variation for the students.
$20.00 ≈
18.67€
Twenty-two Skeletal Duets for Horns
Twenty-two Skeletal Duets for Horns
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2 Cors (duo)
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FACILE
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Gregory Fritze
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Twenty-two Skeletal Duets for
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Musica Nova USA
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SheetMusicPlus
Instrumental Duet Horn,Instrumental Duet - Level 2 - SKU: A0.917408 Composed by Gregory Fritze. Classical,Concert,Contemporary,Instructional,Jazz. Score...
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Instrumental Duet Horn,Instrumental Duet - Level 2 - SKU: A0.917408 Composed by Gregory Fritze. Classical,Concert,Contemporary,Instructional,Jazz. Score and parts. 50 pages. Musica Nova USA #6015057. Published by Musica Nova USA (A0.917408). Twenty-two Skeletal Duets for Horns is a set of duets of easy to moderate difficulty specifically designed for teachers to play with their students in private lessons. The first 15 duets are arranged from Fifteen Safari Duets for Tubas which was composed in 1989 for playing with my tuba students at Berklee College of Music. They are at different levels of difficulty and in various styles so that we always had duets to play no matter what was the ability of the student. The additional seven duets were added in 2020. The title of each duet is a name for a bone in the human body, hence the name Skeletal Duets. There is something in each duet for students to learn: the basics of tone production, rhythms, melodic phrasing, jazz, graphic notation, etc. Most are sight readable and some have been performed in concerts. Nineteen Skeletal Duets for Trombones and Nineteen Skeletal Duets for Euphoniums are the same duets but in bass and treble clef respectively. Twenty- two Skeletal Duets for Horns includes the first 19 as in the trombones set with three additional duets added. Some of the trombone and horn duets are in the same key so they can be played together.1. CraniumThis duet presents the cantabile singing style as studied for playing the horn. I find that this duet helps the student much like the melodies of Borgodni (Rochet) etudes.2. StirrupThis duet provides an opportunity to read basic rhythms and articulations. I find that the more advanced students can read in a faster tempo where the less skilled students work best in the slower tempos – a common choice for all of the duets.3. HumerusThis waltz helps the student match phrasing in a cantabile setting. There are a few instances where the teacher (playing the first part) plays a phrase then the student plays a similar phrase.4. VertebraThis is in a rock style with syncopated rhythms with cantabile melodies. Articulations are especially important in this duet.5. AxisLegato scales and syncopated rhythms are the features of this duet.6. TibiaThis duet alternates in rock style and swing. Articulations and manipulation of swing rhythms are important.7. ClavicleThis duet is based on a theme by Beethoven.
$20.00 ≈
18.67€
Canzona No. 2 for Brass Quintet
Canzona No. 2 for Brass Quintet
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Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
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FACILE
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Gregory Fritze
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Canzona No. 2 for Brass Quinte
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Musica Nova USA
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SheetMusicPlus
Brass Ensemble - Level 2 - SKU: A0.917418 Composed by Gregory Fritze. Baroque,Concert,Easter,Graduation,Wedding. Score and parts. 19 pages. Musica Nova ...
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Brass Ensemble - Level 2 - SKU: A0.917418 Composed by Gregory Fritze. Baroque,Concert,Easter,Graduation,Wedding. Score and parts. 19 pages. Musica Nova USA #6571829. Published by Musica Nova USA (A0.917418). Canzona No. 2 was composed in 2020 expressly for the Spanish Brass. It is composed in the 16th Century Italian style of music played at St. Marks Cathedral in Venice, Italy. It is in this period that brass instruments are first used extensively. Most of the 16th Century canzonas were written in four parts, where the tuba player plays the same as the trombone down an octave. Canzona No. 2 is in five parts, so it may be more enjoyable to play for the tuba player. In this canzona a time change is made briefly to a 3/4 waltz rhythm. This rhythm shift was sometimes made in the 16th Century Italian Style.Canzona No. 2 was recorded Spanish Brass and is on the CD Music for Brass Quintet by Gregory Fritze on the Spanish Brass label.Duration of Canzona No. 2 is 2 minutes. There are several substitute parts included for some flexible instrumentation.
$12.00 ≈
11.20€
Canzona 'a5 for Brass Quintet
Canzona 'a5 for Brass Quintet
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Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
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FACILE
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Gregory Fritze
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Canzona 'a5 for Brass Quintet
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Musica Nova USA
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SheetMusicPlus
Brass Ensemble - Level 2 - SKU: A0.917416 Composed by Gregory Fritze. Baroque,Concert,Graduation,Sacred,Wedding. Score and parts. 19 pages. Musica Nova ...
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Brass Ensemble - Level 2 - SKU: A0.917416 Composed by Gregory Fritze. Baroque,Concert,Graduation,Sacred,Wedding. Score and parts. 19 pages. Musica Nova USA #6571009. Published by Musica Nova USA (A0.917416). Canzona ‘a5 was composed in 2020 expressly for the Spanish Brass. It is composed in the 16th Century Italian style of music played at St. Marks Cathedral in Venice, Italy. It is in this period that brass instruments are first used extensively. Most of the 16th Century canzonas were written in four parts, where the tuba player plays the same as the trombone down an octave. Gregory Fritze has performed in brass quintets for many years playing the 16th Century canzonas this way. The few 16th Century canzonas that are in five parts use the title ‘a5 depicting in five parts, as this Canzona does.Canzona ‘a5 was recorded Spanish Brass and is on the CD Music for Brass Quintet by Gregory Fritze on the Spanish Brass label.Duration of Canzona ‘a5 is 2 minutes.
$12.00 ≈
11.20€
Petite Suite for Brass Quintet
Petite Suite for Brass Quintet
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Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
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INTERMÉDIAIRE
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Gregory Fritze
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Petite Suite for Brass Quintet
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Musica Nova USA
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SheetMusicPlus
Brass Ensemble - Level 3 - SKU: A0.917402 Composed by Gregory Fritze. 20th Century,Concert,Contemporary,Standards. Score and parts. 96 pages. Musica Nov...
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Brass Ensemble - Level 3 - SKU: A0.917402 Composed by Gregory Fritze. 20th Century,Concert,Contemporary,Standards. Score and parts. 96 pages. Musica Nova USA #4895219. Published by Musica Nova USA (A0.917402). Petite Suite for Brass Quintet is a light-hearted piece for brass quintet in four movements with a duration of fourteen minutes. The four movements follow the basic Classical symphonic form - Allegro, Adagio, Scherzo (Presto) and Finale (Presto). The first movement Strombor has a fanfare at the beginning with a melodic 2nd theme in the French Horn. The second movement is based on a slow cantabile theme. The 3rd movement Attack of the Killer Bees includes a bit of theatre. Throughout the movement there is a buzzing of bees, which are killed at the end when all the players stomp on them. The 4th movement Finale has a feeling of cartoon music, ending with a big finish. Throughout the Suite each of the five instrumentalists is featured. The grade of this piece is level 5 (intermediate) for all instruments.Petite Suite for Brass Quintet was composed in 2000 on a commission by the Strombor Brass Quintet of Valencia, Spain. It was recorded by that group on Allegro Records V-3076-2002. It was also recorded by the Hoodlebug Brass Quintet on Albany Records Troy 1175. It can be heard on youtube at: http://youtu.be/RZFf3W_yZLo. Several ensembles around the world have played it, receiving over 100 performances in recent years. Petite Suite for Brass Quintet was submitted to the American Prize Composition Competition in the chamber music division in 2016. It was the highest awarded brass quintet composition that year, awarded Finalist. Gregory Fritze is a prize-winning composer and Fulbright Scholar, as well as an active performer and conductor. He recently retired from Berklee College of Music where he was Professor and Chair of Composition, serving on the faculty from 1979 to 2016. He has written over ninety compositions for orchestra, band, chamber ensembles and soloists. He has won over fifty composition awards both nationally and internationally, including First Prize in the 1st WASBE (World Association of Symphonic Bands and Ensembles) International Composition Contest 2017, First Prize Winner of Reneé Fisher Composition Prize, First Prize Winner in Concurso Bienal de Composición de Musica para Banda, Ciudad de Santa Cruz de Tenerife (Spain), Menzione d’Onore (highest award given) of the Mario Bernardo Angelo-Comneno International Music Competition by the Accademia Angelica Costantiniana Arti E Scienze (Italy), First Prize in 1991 TUBA International Etude Composition Competition, the IBLA Grand Prize (Italy), several awards from The American Prize, Composition Awards from Standard Awards Panel of American Society of Composers, Authors, and Publishers and many others. His compositions include works published by several publishers in the United States, South America and Europe and have been performed extensively throughout the world. He has been a frequent traveler to Spain since 1993 and has promoted compositions by Spanish composers around the world. He is the only composer who has been commissioned six times by Spanish bands for Certamen competitions, with each band winning first prize. He has thirty-three compositions commercially recorded on Albany Records, MSR Classics, Crystal Records, Mark Records and others. He has been a guest lecturer, conductor and performer at many colleges, universities and music festivals in the United States, Canada, Japan, South America and Europe. He was born in Allentown, Pennsylvania in 1954 and has Composition degrees from the Boston Conservatory and Indiana University. He now resides in Daytona Beach Shores, Florida.
$40.00 ≈
37.33€
Kentucky - concert band grade 3
Kentucky - concert band grade 3
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Orchestre d'harmonie
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FACILE
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Gregory Fritze
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8
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Kentucky - concert band grade
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Musica Nova USA
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SheetMusicPlus
Concert Band - Level 2 - SKU: A0.917392 Composed by Gregory Fritze. Contemporary,Instructional,Standards. Score and parts. 42 pages. Musica Nova USA #47...
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Concert Band - Level 2 - SKU: A0.917392 Composed by Gregory Fritze. Contemporary,Instructional,Standards. Score and parts. 42 pages. Musica Nova USA #4776975. Published by Musica Nova USA (A0.917392). Kentuckywas composed for the Morehead State University 52nd Annual Concert Band Clinic February 11 - 14, 2010. It was premiered on February 14, 2010 by one of the Honor Bands at Morehead State University, Kentucky, with the composer conducting. It is composed as a grade 3 composition to be played by any school band at that level such as junior high or grade 7 & 8. It has no passages that should be difficult for any instrument to play. As in most grade 3 pieces, there is a lot of doubling of instruments, so even if there is not a completely full instrumentation, all voices will be heard.In 2013, Kentuckywas selected as a finalist in Category 1 (Concert band, Grade 1-2.5 Jr. HS) in the 3rdInternational Frank Techeli Composition Contest hosted by Manhattan Beach Music.In 2014 it was one of the featured pieces at the University of North Texas summer conducting workshop. There is a youtube video of the performance by the UNT Wind Symphony Conducted by Nicholas Guiliano. In 2015 an analysis and commentary of Kentuckywas published in the book Teaching Music through Performance in Band Volume 10, GIA Publications. The analysis is by Amy M. Knopps, Associate Director of Bands at Eastern Michigan University.
$40.00 ≈
37.33€
Kristinmark Overture for Concert Band
Kristinmark Overture for Concert Band
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Orchestre d'harmonie
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FACILE
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Contemporain
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Gregory Fritze
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Kristinmark Overture for Conce
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Musica Nova USA
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SheetMusicPlus
Concert Band - Level 2 - SKU: A0.917396 Composed by Gregory Fritze. 20th Century,Classical,Contemporary. Score and parts. 125 pages. Musica Nova USA #48...
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Concert Band - Level 2 - SKU: A0.917396 Composed by Gregory Fritze. 20th Century,Classical,Contemporary. Score and parts. 125 pages. Musica Nova USA #4821537. Published by Musica Nova USA (A0.917396). Kristenmark Overture was commissioned and composed for the Symphonic Wind Ensemble of the University of Minnesota Duluth, Mark Whitlock conductor and the Symphony Band of the University of Wisconsin River Falls, Kristin Tjornehoj, conductor.The name Kristinmark are the first names of both conductors.It has been played many times in Europe, South America and the United States. It is often used in honor band festivals as it fits the level of difficulty (grade 4) for the average high school band festival and good duration for such events – seven minutes. The piece is in a clear Sonata Allegro form and includes short solos for trombone, horn, alto sax, trumpet, timpani, snare drum, tuba, oboe, crotales, flute, piccolo, bassoon, euphonium and clarinet. Non of the solos are very long or difficult. The solos are meant to feature as many musicians as possible. In some cases, alternate instruments have cues if particular instrumentalists are not strong performers . In 2017 Kristenmark Overture was submitted to The American Prize Composition Contest, Band Division. It placed as a Semi Finalist that year.Kristenmark Overture can be heard by the Brazilian Wind Orchestra, conducted by Dario Sotelo at: http://www.youtube.com/watch?v=bk-PvXTvxy8
$60.00 ≈
56.00€
La Tomatina
La Tomatina
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Orchestre d'harmonie
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INTERMÉDIAIRE
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Contemporain
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Gregory Fritze
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La Tomatina
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Musica Nova USA
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SheetMusicPlus
Composed by Gregory Fritze. 20th Century, Classical, Contemporary, Contest, Festival, Holiday. Score and parts. 195 pages. Musica Nova USA #703202. Pu...
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Composed by Gregory Fritze. 20th Century, Classical, Contemporary, Contest, Festival, Holiday. Score and parts. 195 pages. Musica Nova USA #703202. Published by Musica Nova USA
$60.00 ≈
56.00€
The Four Seasons in the Basque Country
The Four Seasons in the Basque Country
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Orchestre d'harmonie
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Gregory Fritze
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The Four Seasons in the Basque
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Musica Nova USA
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SheetMusicPlus
Concert Band - SKU: A0.917412 Composed by Gregory Fritze. 20th Century,Contemporary,Folk. Score and parts. 370 pages. Musica Nova USA #6321277. Publishe...
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Concert Band - SKU: A0.917412 Composed by Gregory Fritze. 20th Century,Contemporary,Folk. Score and parts. 370 pages. Musica Nova USA #6321277. Published by Musica Nova USA (A0.917412). The Four Seasons in the Basque Country is a 4 movement symphony for concert band. It is the Third Prize Winner of the 2020 American Prize in Composition - Concert Band. Grade 5, duration 27 minutes. The piece depicts four different places in the Basque country that the composer feels best show the changes of season. The first movement is Winter in the Costa Norte (Galerna). Galerna is on the northerncoast and is subject to harsh storms in the winter. As the piece starts off with a light-hearted dance in thepiccolo, a storm is approaching from afar. At first the storm seems to be in the distance but as it comes closer it overtakes the festivities in a bluster. For a short time two conductors are needed as the concertband is split into two groups – one showing the light-hearted dance led by the piccolo, the other thecacophony of the storm led by the percussion. The storm overtakes everything as it ends the movement with a flourish.The second movement Spring in Rioja Alavesa is a calming contrast to the first movement like the freshness of a spring day. The sun rises and shines beams of light onto the acres of grape vines. After a timea short rain comes to refresh and clean the plants.The third movement Autumn at the Guggenheim Museum is in a traditional 3rd movement form of a symphony, minuet and trio, but the harmonies sometimes use bitonality, having the melody in one key while the accompaniment is in another to suggest surrealism. The Guggenheim Museum in Bilbaois one of the world’s most famous museums, not only for the surreal art inside, but also because of the architecture of the building itself.The fourth movement Summer in Bilbao is based on a dance melody composed in the Ezpata- dantza Basque style. It employs a rhythmic element with alternating 6/8 and 3⁄4 meters where the eighth notes are basically equal, but in the dance the 3⁄4 meter is actually a little bit longer. This type of subtlemanipulation of rhythm is used similarly in the Viennese Waltz, when the 3rd beat would be stretched outto accommodate the dancers. The Ezpata-dantza dance continues until the Altza Gastiak, the officialsong of the Bilbao Athletic Club, the local soccer team of Bilbao, is heard. After this the Ezpata-dantzamelody is transformed from a happy dance to a triumphant melody and rousing finale.In The Four Seasons in the Basque Country all of the themes are original except for the short excerpt ofAltza Gastiakin the 4th movement. Some themes are composed in the style of Basque folk dances.Gregory Fritze is a prize-winning composer and Fulbright Scholar, as well as an active performer. He recently retired from Berklee College of Music where he was Professor and Chair of Composition, serving on the faculty from 1979 to 2016. He has written over one hundred compositions for orchestra, band, chamber ensembles and soloists. He has won over sixty composition awards both nationally and internationally. His compositions include works published by several publishers in the United States, South America and Europe that have been performed extensively throughout the world. Many of his compositions are available on ITunes, Youtube and Soundcloud.He has been a frequent traveler to Spain since 1993 and has promoted compositions by Spanishcomposers around the world. He is the only composer who has been commissioned six times by Spanishbands for Certamen competitions, with each band winning first prize.His compositions are recorded on Albany Records, MSR Classics, Crystal Records, Mark Recordsand others. He has been a guest lecturer, conductor and performer at many colleges, universities and music festivals in the United States, Canada, Japan, South America and Europe. He was born in Allentown, Pennsylvania in 1954 and has Composition degrees from the Boston Conservatory and Indiana University.He now resides in Daytona Beach Shores, Florida
$100.00 ≈
93.34€
Variations on a Canarian Hymn
Variations on a Canarian Hymn
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Orchestre d'harmonie
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INTERMÉDIAIRE
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Contemporain
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Gregory Fritze
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Variations on a Canarian Hymn
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Musica Nova USA
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SheetMusicPlus
Concert Band - Level 3 - SKU: A0.917393 Composed by Gregory Fritze. Contemporary. Score and parts. 161 pages. Musica Nova USA #4780761. Published by Mus...
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Concert Band - Level 3 - SKU: A0.917393 Composed by Gregory Fritze. Contemporary. Score and parts. 161 pages. Musica Nova USA #4780761. Published by Musica Nova USA (A0.917393). Variations on a Canarian Hymn grade 4, duration 11:00 was commissioned and composed for the Banda Muncipal of Tenerife, Spain, Filipe Neri, conductor. They premiered it on June 25, 2017. The American premiere was March 21, 2019 by the University of Wisconsin River Falls Symphony Band, Kristin Tjornehoj, Conductor.The Canary Islands is a region of Spain. The anthem used in the Canaries for local official occasions is an adaptation of a local folk song called Arrorró (Lullaby) by Teobaldo Power (1848 – 1884). Tenerife is the largest and most populated island of the seven Canary Islands. Tenerife has a special relation to Columbus and the New World as he first stopped in Tenerife on each of his passages before sailing to the New World. There is a plaque in the center of Tenerife city depicting this.Variations on a Canarian Hymnis in the classictheme and variations form, startingwith a presentation of the folk song in its entirety, then following with six variations of the folk song. Each variation displays different colors and moods of the symphonic band. The triumphal ending depicts the strength of the Canarian people. The piece features several instruments, some with extended solos including: flute, oboe, alto saxophone, horn, trumpet, trombone, clarinet, English horn and timpani. There are several cues in the parts to cover certain instruments that may not be available, such as English horn.
$70.00 ≈
65.34€
Four Directional Fanfares for Brass Quintet and optional Timpani
Four Directional Fanfares for Brass Quintet and optional Timpani
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Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
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FACILE
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Contemporain
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Gregory Fritze
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Four Directional Fanfares for
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Musica Nova USA
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SheetMusicPlus
Brass Quintet, Timpani - Early Intermediate - Digital Download Composed by Gregory Fritze. Neo-Classical, Easter, Wedding, Graduation, Recital. Score...
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Brass Quintet, Timpani - Early Intermediate - Digital Download Composed by Gregory Fritze. Neo-Classical, Easter, Wedding, Graduation, Recital. Score, Set of Parts. 32 pages. Published by Musica Nova USA
Four Directional Fanfares for Brass Quintet and optional tympani) was arranged and compiled in 2020 expressly for the Spanish Brass. Each fanfare is named after the four directions of the compass with each having a different duration. I. North (70 seconds), II. South (50 seconds), III. East (20 seconds) and IV. West (2 Minuets and 30 seconds).
An optional timpani part has been added in the score and may be used to enhance the sound in ceremonial situations.
The composer has played and conducted in many brass ensembles over the years as well as composing many fanfares of different lengths to suit the occasion. A brass ensemble can always use new fanfares. These fanfares were recorded by the Spanish Brass in 2020 on the CD ?Music for Brass Quintet by Gregory Fritze? on the Spanish Brass label. These fanfares are also on YouTube and Soundcloud.
$15.00 ≈
14.00€
Nineteen Skeletal Duets for Trombones
Nineteen Skeletal Duets for Trombones
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2 Trombones (duo)
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FACILE
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Jazz
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Gregory Fritze
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Nineteen Skeletal Duets for Tr
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Musica Nova USA
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SheetMusicPlus
Composed by Gregory Fritze. Classical Period, Contemporary Classical, Jazz, Method, Etudes and Exercises. Individual Part, Score. 44 pages. Published ...
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Composed by Gregory Fritze. Classical Period, Contemporary Classical, Jazz, Method, Etudes and Exercises. Individual Part, Score. 44 pages. Published by Musica Nova USA
Nineteen Skeletal Duets for Trombones is a set of duets of easy to moderately difficult specifically for teachers and students in private lessons. The first 15 duets are arranged from Fifteen Safari Duets for Tubas which was composed in 1989 for playing with my tuba students at Berklee College of Music. They are at different levels of difficulty and in various styles so that we always had duets to play no matter what was the ability of the student. The additional four duets were added in 2020 for trombones for this set. The title of each duet is also a name for a bone in the human body, hence the name Skeletal Duets. There is something in each duet for students to learn: the basics of tone production, rhythms, melodic phrasing, jazz, graphic notation, etc. Most are sight readable and some have been performed in concerts. Nineteen Skeletal Duets for Euphoniums are the same duets but in treble clef. Twenty-two Skeletal Duets for Hornsuses the first 19 of the trombone set with three additional duets added. Some of the trombone and horn duets are in the same key so they can be played together.
1. Cranium
This duet presents the cantabile ?singing? style as studied for playing the trombone. I find that this duet helps the student much like the melodies of Borgodni (Rochet) etudes.
2. Stirrup
This duet provides an opportunity to read basic rhythms and articulations. I find that the more advanced students can read in a faster tempo while the less skilled students work best in the slower tempos ? a common choice for all of the duets.
3. Humerus
This waltz helps the student match phrasing in a cantabile setting. There are a few instances where the teacher (playing the first part) plays a phrase then the student plays a similar phrase.
4. Vertebra
This is in a ?rock? style with syncopated rhythms with cantabile melodies. Articulations are especially important in this duet.
5. Axis
Legato scales and syncopated rhythms are the features of this duet. This is a good exercise for legato playing on trombone, especially when the legato tongue is needed versus when the trombonist does not need to tongue when moving across partials.
6. Tibia
This duet alternates in rock style and swing. Articulations and manipulation of ?swing? rhythms are important.
7. Clavicle
The key of A for this duet provides variation for the students.
8. Fibula nd
This duet uses the easiest of rhythms and range, especially for the 2
9. Scapula
This duet is non-metric and uses graphic notation. This was a favorite duet of my students as many had never experienced this notation before.
10. Atlas ndThis is an Invention in the Bach style. This is probably the best duet to play when the 2 part is played by bass trombone.
(student) part.
11. Radius
This duet is in a ?Medium Swing? jazz style. Each part has a chance to play a little bit of a ?walking? bass line. Articulations and manipulation of ?swing? rhythms are important in this duet.
12. Femur
This duet works on double time and half time tempo changes.
13. Patella
This is another duet that includes graphic notation. In this duet ?Free rapid legato lines? are used.
14. Anvil
This gallop displays different types of articulation.
15. Hammer
This duet is in the style of a fanfare.
16. Rib
This duet is a melody, ?Magallon Blues?, that I originally composed when I taught at a summer music camp in Magallon, Spain. In that camp each of the students would practice playing a jazz solo. This duet also has jazz chord changes so you can add piano or guitar. The use of drums is also an added option.
17. Sacrum
This duet is a short arrangement of Mozart?s ?Eine Kleine Nachtmusic?.
18. Ulna
This duet is a short arrangement of the traditional Irish folk song ?Londonderry Air?, more commonly known as ?Danny Boy?.
19. Ilium
This duet is a short arrangement of the Beethoven?s song ?Ode to Joy? which represents the triumph of universal brotherhood against war and desperation.
Gregory Fritze is a prize-winning composer and Fulbright Scholar, as well as an active performer. He recently retired from Berklee College of Music where he was Tuba Professor and Chair of Composition, serving on the faculty from 1979 to 2016. He has written over one hundred compositions for orchestra, band, chamber ensembles and soloists. He has won over sixty composition awards both nationally and internationally including First Prize in the 1991 TUBA Etude Contest for Twenty Characteristic Etudes for Tuba, an award from The American Prize for his Petite Suite for Brass Quintet and others. His compositions include works published by several publishers in the United States, South America and Europe that have been performed extensively throughout the world. Many of his compositions are available on ITunes, Youtube and Soundcloud.
His compositions are recorded on Albany Records, MSR Classics, Crystal Records, Mark Records and others. He has been a guest lecturer, conductor and performer at many colleges, universities and music festivals in the United States, Canada, Japan, South America and Europe. He was born in Allentown, Pennsylvania in 1954 and has Composition degrees from the Boston Conservatory and Indiana University. He now resides in Daytona Beach Shores, Florida.
$20.00 ≈
18.67€
Fifteen Safari Duets for Tubas
Fifteen Safari Duets for Tubas
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2 Tubas (duo)
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FACILE
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Jazz
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Gregory Fritze
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Fifteen Safari Duets for Tubas
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Musica Nova USA
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SheetMusicPlus
Composed by Gregory Fritze. Classical Period, Contemporary Classical, Jazz, Method, Etudes and Exercises. Score. 38 pages. Published by Musica Nova US...
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Composed by Gregory Fritze. Classical Period, Contemporary Classical, Jazz, Method, Etudes and Exercises. Score. 38 pages. Published by Musica Nova USA
Fifteen Safari Duets for Tubas was composed for playing duets with my tuba students. The fifteen duets are at different levels of difficulty and various styles so that we always had duets to play no matter what ability of student. There is something in each duet for students to learn from the basics of tone production, rhythms, melodic phrasing, jazz, graphic notation, etc. Most are sight readable and some have been performed in concerts. They are all fun to play. Although for tubas, they may be played on any instrument.
In 1988 I spent a month in Kenya on safari and experiencing the African wildlife and culture, thus the inspiration for these duets that were composed soon after the trip in 1989 and 1990 and have been a regular part of my teaching ever since. Four of these duets are recorded on the compact disc ?Tuba Safari? (Troy 1173) on Albany Records.
1. Elephants at Stave
This duet presents the cantabile style studied for playing the tuba. I find that this duet helps the student much like the melodies of Borgodni etudes. There are more elephants in Tsavo than anywhere else in Kenya. It was not uncommon to see large families of thirty elephants at a time.
2. Gallop ? Thompson Gazelle at Amboseli
This duet provides an opportunity to read in a sharp key, D major, as well as basic rhythms and articulations. I find that the more advanced students can read in a faster tempo and other students can work in a slower tempo ? a common choice in all of the duets. Large herds of playful Thompson Gazelle were a usual occurrence in most of the game parks in Kenya.
3. Rhinos at Nairobi Game Park
This waltz helps the student match phrasing in a cantabile setting. There are a few instances where the teacher (playing the first part) plays a phrase then the student plays a similar phrase. The rhinoceros is a very noble animal that can grow to more that 1,000 pounds and is known for its horn. The Nairobi game park is located just outside the city, giving a sense of surrealism to the panorama.
4. Giraffes at Nairobi Twiga Park
This is in a ?rock? style with syncopated rhythms and cantabile melodies. The Nairobi Twiga park is just outside the city and is the only place where one can feed the giraffes. Along with their long necks they have very long tongues.
5. Warthogs at Ngulia
Legato scales and syncopated rhythms are the features of this duet. Warthogs have tails that are held upright when they run.
6. Baboons at Kiliguni
This duets alternates in rock style and swing. Baboons are sometimes a problem because they will try to steal food from the tourists? tables. They will work together where one causes a diversion while the others steal.
7. Pastoral ? Cape Buffalo at Samburu
The key of A for this duet gives variation for the students. Cape Buffalo are in large herds on the savanna. The Samburu Lodge dining area was built next to a watering hole. At the beginning of breakfast there were no animals, but in fifteen minutes more than 500 cape buffalo were at the water hole.
8. Song - Hippos at Mzima Springs
This is the easiest of rhythms and range of the duets, especially for the 2nd(student) part. Hippopotamuses can grow up to 4,000 pounds and spend most of their time sleeping in the water during the day. At night they go on land to hunt.
9. Leopards at Kimana Lodge
This duet is non-metric and uses graphic notation. This was a favorite duet of my students as many have never experienced this notation before. The leopard is a large predatory cat that usually hunts at night.
10. Colobus Monkeys at the Ark
This is an Invention in the Bach style. The Ark is a building that was built in 1969 at a watering hole for tourists to watch wildlife. The colobus monkey is black with white on its forearms and chest.
11. Zebra Migration at Masai Mara
This duet is in a ?Medium Swing? jazz style. The great migration between the Masai Mara and Serengeti involves about two million wildebeest, zebras and other animals every year. It is considered one of the most impressive natural events worldwide.
12. Ostrich at Samburu
This duet works on double time and half time. The ostrich is the largest bird in the world. In Samburu there was an ostrich that hung around the lodge, her name was Margaret. She was very friendly with everybody but she would steal your hat.
13. Cheetah at Voi
This is another duet that includes graphic notation. The cheetah can run up to 80 miles an hour when chasing after prey. When not hunting prey it often walks very slowly.
14. Gallop ? Gerenuk at Buffalo Springs
This gallop displays different types of articulation. The gerenuk is an antelope with a slightly extended neck so it can eat higher leaves from trees.
15. Lions at Mara Sopa
This duet is in the style of a fanfare. The lion is considered the king of the savanna.
Gregory Fritze is a prize-winning composer and Fulbright Scholar, as well as an active performer. He recently retired from Berklee College of Music where he was Tuba Professor and Chair of Composition, serving on the faculty from 1979 to 2016. He has written over one hundred compositions for orchestra, band, chamber ensembles and soloists. He has won over sixty composition awards both nationally and internationally including First Prize in the 1991 TUBA Etude Contest. His compositions include works published by several publishers in the United States, South America and Europe that have been performed extensively throughout the world. Many of his compositions are available on ITunes, Youtube and Soundcloud.
His compositions are recorded on Albany Records, MSR Classics, Crystal Records, Mark Records and others. He has been a guest lecturer, conductor and performer at many colleges, universities and music festivals in the United States, Canada, Japan, South America and Europe. He was born in Allentown, Pennsylvania in 1954 and has Composition degrees from the Boston Conservatory and Indiana University. He now resides in Daytona Beach Shores, Florida.
$20.00 ≈
18.67€
Euphonistic Dance - Piano and Euphonium
Euphonistic Dance - Piano and Euphonium
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Euphonium, Piano (duo)
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FACILE
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Jazz
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Gregory Fritze
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Euphonistic Dance - Piano and
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Musica Nova USA
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SheetMusicPlus
Composed by Gregory Fritze. 20th Century, Neo-Classical, Jazz, Repertoire, Recital. Piano Reduction, Solo Part. 22 pages. Published by Musica Nova USA...
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Composed by Gregory Fritze. 20th Century, Neo-Classical, Jazz, Repertoire, Recital. Piano Reduction, Solo Part. 22 pages. Published by Musica Nova USA
Euphonistic Dance is a short feature piece for euphonium with piano ? about 5 minutes. It is for recitals and includes some opportunities for improvisation. There is a written out option for those not wanting to improvise. It is at early intermediate level of difficulty for euphonium and piano with range up to Gb for the euphonium. It is often played by tubists who double on euphonium (I call them Bydlo level). Euphonistic Dance was premiered by myself (euphonium) with Michael Dewart (piano) at Mansfield State College in Pennsylvania March 19, 1983. It has been played by many times by high school and college players since.
There are two recordings - on Mark Records performed by Mary Ann Craig (youtube https://www.youtube.com/watch?v=Xit7xBP9szM) and on Albany records by Ed Morse (youtube https://www.youtube.com/watch?v=yMF0MayUgAo)
$15.00 ≈
14.00€
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Musica Nova USA
